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EXPLORING AUTHENTICITY IN BETWEEN TWO WORLDS
Juliette Binoche plays a middle-class woman who exposes the lives of the working class in Between Two Worlds, but the film also investigates the moral ambiguity inherent within this proposition.
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SOFIA COPPOLA AND THE ART OF LONELINESS
Hannah Strong, the author of the new book Sofia Coppola: Forever Young, explores how the writer-director beautifully renders alienation and estrangement in her thoughtful, contemplative films.
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TOP GUN: MAVERICK REVIEW: TOM CRUISE SOARS IN AN ACTION SEQUEL FOR THE AGES
With its heart-pounding jet sequences and charismatic lead performance, the Top Gun reboot is popcorn entertainment at its finest, writes Yasmin Omar.
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TRIANGLE OF SADNESS
Curzon has announced the acquisition of Ruben Östlund’s Cannes main competition entry Triangle of Sadness. The Swedish director’s sixth feature and the first since his Palme d’Or winner The Square (2017), it stars Harris Dickinson, Charlbi Dean, Woody Harrelson, Oliver Ford Davis and Zlatko Buric.
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CINEMATIC MEMOIR: HOW TERENCE DAVIES INCORPORATES HIS OWN QUEER HISTORY INTO BENEDICTION
The director Terence Davies, entering the later stage of his career, has consciously moved away from his previous autobiographical work. With his contemplative Siegfried Sassoon biopic Benediction, the director covertly grapples with his own lived experience through the war poet’s story, says Lillian Crawford.
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WRITER-DIRECTOR ESKIL VOGT ON HIS SUPERNATURAL THRILLER THE INNOCENTS
Emily Maskell speaks to the Oscar-nominated filmmaker about capturing the magic of the imagination in The Innocents, which centres on a group of preternaturally gifted, yet morally dubious, children.
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MOTHERLAND, FATHER TONGUE
Colm Bairéad reflects on his childhood in Ireland, on growing up with the language and how these two things converged in him as a filmmaker, resulting in a remarkable and moving Irish-language debut in The Quiet Girl.
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VORTEX REVIEW: GASPAR NOÉ’S SURPRISINGLY RESTRAINED DEMENTIA DRAMA
The enfant terrible of the New French Extremity departs from his signature style to offer an unexpectedly tender exploration of an elderly woman’s memory loss.
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IMAGES SPEAK VOLUMES: HOW INTERIORITY IS RENDERED IN THE QUIET GIRL
Jake Abatan considers how Kate McCullough’s cinematography allows the audience to perceive the world through the eyes of a shy young girl called Cáit in Colm Bairéad’s incredible debut film The Quiet Girl.
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MUSIC AS A FORM OF EMPOWERMENT
Music empowerment activist Jane Oriel explores the parallels behind the youth centre at the heart of Nabil Ayouch's Casablanca Beats and the work being done in UK communities to align a dynamic hip-hop culture with social programmes.
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