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FRANÇOIS OZON ON EVERYTHING WENT FINE
Steven Ryder spoke with François Ozon about his new drama Everything Went Fine, which tells the true story of a daughter who is asked by her father to assist in ending his life. Here the great French director discusses the challenges of adapting a friend’s memoir, whether he has accidentally made a heist film and how cinema can help us process the most difficult of topics.
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RODEO
Curzon has acquired Rodeo, the feature directorial debut from Lola Quivoron. Debuting at the Cannes Film Festival in Un Certain regard, it was nominated in four categories, winning the Jury Coup de Coeur. A rites-of-passage drama that has hurled its way into the crime genre at full throttle, Rodeo is set in the world of urban rodeos, a sub-culture of motorbike fanatics whose activities reach far beyond the stunts they revel in.
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BAZ LUHRMANN’S MAXIMALIST MYTHMAKING
There’s nothing quite like excess in the worlds of Baz Luhrmann. And his latest film, Elvis, highlights the filmmaker’s love of myth, writes Ian Haydn Smith.
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MIA HANSEN-LØVE & THE CURRENTS OF TIME
Sophie Monks Kaufman explores how the naturalistic filmmaker Mia Hansen-Løve skilfully traces the passage of time in her empathetic work, which often centres on carefully rendered female characters dealing with love and loneliness.
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HUMOUR AND LEVITY IN EVERYTHING WENT FINE
Karen Krizanovich explores the complex father-daughter relationship at the heart of François Ozon’s latest film Everything Went Fine, outlining how the film finds nuance and humour in its personal and moving approach to an otherwise heavy subject matter.
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THE SENSITIVE PORTRAYAL OF SEX WORK IN GOOD LUCK TO YOU, LEO GRANDE
Leila Latif speaks to the director Sophie Hyde and actor Daryl McCormack about how they created an honest, respectful depiction of sex work in their new film.
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INFINITY AND BEYOND: BUZZ THROUGH THE LIGHTYEARS
Ahead of the Toy Story prequel Lightyear, Emily Maskell details how the beloved action figure Buzz Lightyear evolves as a character over the course of the franchise.
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SEX, LIES AND VIDEOTAPE: INVESTIGATING ON-CAMERA DECEPTION IN PLEASURE & SWEAT
Yasmin Omar teases out the thematic parallels between the sex-industry drama Pleasure and fitness-influencer film Sweat – both rich character studies about women who create perky online personas to advance their careers.
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GODLAND
Curzon is very pleased to announce the acquisition of Godland, following its acclaimed premiere at the Cannes Film Festival. Playing in Un Certain Regard, the film is directed by Hlynur Pálmason, whose A White, White Day announced him to UK audiences when it was released in 2019. Like that film, Godland makes the most of a breathtakingly austere Icelandic landscape in its story of a man on a singular mission.
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FESTIVAL REPORT: CANNES 2022
Anna Bogutskaya fills us in on the most talked-about titles on the Croisette, from the touching Paul Mescal drama Aftersun to the enlightening David Bowie documentary Moonage Daydream.
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