Journal
View allSOMETIMES I THINK ABOUT DYING: THE MILLENNIAL GUIDE TO EXISTENTIALISM
LIST
Savina Petkova puts her university training to good use with a helpful guide to this school of 20th-century philosophical thought that’ll help you distinguish Camus from Kierkegaard.
READ NOW →CHALLENGERS REVIEW: ZENDAYA IGNITES A FIERY TENNIS LOVE TRIANGLE
REVIEW
Emotions run high in Luca Guadagnino’s smouldering three-way romance, which is bolstered by kinetically captured matches, writes Yasmin Omar.
READ NOW →BACK TO BLACK & CINEMA’S ENDURING FASCINATION WITH THE TRAGIC POP STAR
ARTICLE
From Freddie Mercury to Ray Charles – and now Amy Winehouse – Sean Wilson considers why filmmakers are drawn to the rise-and-fall stories of troubled musicians.
Read Now →IS NOTHING SACRED? CIVIL WAR & HOLLYWOOD'S DESTRUCTION OF LANDMARKS
ARTICLE
Victoria Luxford explores how cinematic attacks on the Statue of Liberty, the White House and other national monuments feed into America’s deepest fears.
READ NOW →DEV PATEL IS THE ACTION STAR WE DIDN’T KNOW WE NEEDED
ARTICLE
The Monkey Man writer-director-actor positions himself as an alternative to Hollywood’s identikit leading men in his coiled spring of a revenge thriller, writes Yasmin Omar.
READ NOW →THE LOVING CLOSE-UP: DISCO BOY THROUGH THE LENS OF HÉLÈNE LOUVART
ARTICLE
Savina Petkova considers how the celebrated cinematographer's tactile style owes a lot to its tight framing of her subjects.
READ NOW →HOW THE OSCAR-NOMINATED THE TEACHERS’ LOUNGE IS A MICROCOSM OF SOCIETY
INTERVIEW
This single-location thriller shows how a simple accusation can precipitate life-changing consequences. Here, the writers unpack their process.
READ NOW →SYDNEY SWEENEY’S PRIMAL SCREAM
ARTICLE
Long regarded as an excellent shouter, the actress reaches her full-volume potential as a final girl in the religious horror flick Immaculate, says Yasmin Omar.
BOOK NOWDRIVE-AWAY DOLLS & THE QUEST FOR THE FEMALE ORGASM
ARTICLE
Ethan Coen and Tricia Cooke’s bawdy sex comedy borrows from high-school farces, with one crucial difference: it puts queer female sexuality front and centre. By Billie Walker
READ NOW →FROM DREAMS TO REALITY: BRINGING ROBOT DREAMS TO LIFE
INTERVIEW
Filmmaker Pablo Berger founded a studio for his first foray into animation, a beautiful, dialogue-free drama about the power of friendship. Here, along with animation director Benoît Feroumont, he tells Michael Leader about their creative process.
READ NOW →CURZON CINEMA
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