Journal
THE FABELMANS REVIEW: STEVEN SPIELBERG’S TWINKLY-EYED SELF-PORTRAIT
LAURA POITRAS ON HER OSCAR-NOMINATED DOC ALL THE BEAUTY AND THE BLOODSHED
MARIO MARTONE ON NOSTALGIA, NAPLES AND NARRATIVE
BABYLON REVIEW: THE TWENTIES NEVER ROARED SO LOUDLY
SOMEONE IN THE CROWD: THE IMPORTANCE OF HOLLYWOOD PARTIES IN BABYLON AND LA LA LAND
'MY MIND WAS BLOWN': DOLLY DE LEON ON TRIANGLE OF SADNESS
IS LYDIA TÁR AS RADICAL AS SHE THINKS SHE IS?
OSCAR NOMINEE PAUL ROGERS ON EDITING EVERYTHING EVERYWHERE ALL AT ONCE
