THE 2024 AWARDS JOURNAL IS HERE
AWARDS BUZZ
This year’s Awards Journal – complete with interviews with the season’s top contenders, category-by-category analysis and think pieces – is now available for free in all Curzon cinemas. Read Yasmin Omar’s editor’s letter for a taste of what you’ll find in the issue.
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TRENQUE LAUQUEN DIRECTOR LAURA CITARELLA WANTS TO CHALLENGE YOU
INTERVIEW
The Argentinian filmmaker discusses rejecting the artifice of realism, blending fact and fiction, and creating a new form of cinematic storytelling...
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CURZON HOME CINEMA PRESENTS… DECEMBER PROGRAMME
CURZON HOME CINEMA PRESENTS...
Curzon Home Cinema programmer Jade Turner spotlights the films to look out for this month in our curated strand.
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ANSELM: A DAY IN THE LIFE
ARTICLE
In his breathtakingly beautiful documentary Anselm, Wim Wenders suggests that 3D technology can be employed to forge a new cinematic language.
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JOAQUIN PHOENIX’S MISERABLE MEN
ARTICLE
Joaquin Phoenix's journey from Johnny Cash to Napoleon Bonaparte makes total sense, here's why.
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THE MANY FACES OF CAREY MULLIGAN
ARTICLE
Ahead of Maestro, Meg Walters considers the arc of the British actress’ wide-ranging career, which spans costume-drama classics, genre fare and American indies.
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THE POSH-GIRL CHARACTERS OF ROSAMUND PIKE
DEEP FOCUS
Yasmin Omar considers the similarities between the British actress’ upper-class characters in Saltburn and An Education, from their small-minded pursuits to their feigned politesse.
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IS IT POSSIBLE TO KNOW THE TRUTH IN ANATOMY OF A FALL?
ARTICLE
Misinterpretations and mistranslations are rife in Justine Triet’s deliberately ambiguous Palme d’Or winner, where our perception of events constantly shifts as characters play language games, writes Lillian Crawford.
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BEST MOVIES DIRECTED BY RIDLEY SCOTT
LIST
Ahead of Napoleon, we look back at the very best Ridley Scott movies that showcase the prolific director’s varied, groundbreaking filmography.
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FINGERNAILS REVIEW: ALL YOU NEED ISN’T LOVE
REVIEW
Christos Nikou’s follow-up to 2021’s Apples is a sharp-edged, gooey-centred sci-fi romance that makes the bold decision to raise more questions than answers, writes Yasmin Omar.
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