BABYLON
THE FABELMANS | SPECIAL PREVIEWS AT MAYFAIR | IN CINEMAS FROM FRIDAY
TÁR
EMPIRE OF LIGHT
ALL THE BEAUTY AND THE BLOODSHED | OUT THIS FRIDAY | Q&A 28 JANUARY AT MAYFAIR
ANT-MAN AND THE WASP: QUANTUMANIA | 2D & 3D | TICKETS NOW ON SALE
PUSS IN BOOTS: THE LAST WISH | TICKETS NOW ON SALE
MAGIC MIKE’S LAST DANCE | TICKETS NOW ON SALE
Journal
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MARIO MARTONE ON NOSTALGIA, NAPLES AND NARRATIVE
Laura Allsop talks with Mario Martone about his atmospheric new film, in which the city of Naples plays a pivotal role.
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LAURA POITRAS ON HER OSCAR-NOMINATED DOC ALL THE BEAUTY AND THE BLOODSHED
Laura Poitras’ Venice Film Festival-winning documentary, which has just received an Academy Award nomination, is a collaboration with and about acclaimed photographer Nan Goldin.
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THE FABELMANS REVIEW: STEVEN SPIELBERG’S TWINKLY-EYED SELF-PORTRAIT
The veteran director confronts his career-long preoccupation with burning ambitions and broken families by turning the lens on himself, writes Yasmin Omar.
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2023 BAFTA-NOMINATED DOLLY DE LEON TALKS TRIANGLE OF SADNESS AND THE ART OF PERFORMANCE
BAFTA-nominee Dolly De Leon talks about her process to prepare for her international career-defining role as Abigail, the key figure in Ruben Östlund’s satirical take on power, class and human behaviour, Triangle of Sadness.
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SOMEONE IN THE CROWD: THE IMPORTANCE OF HOLLYWOOD PARTIES IN BABYLON AND LA LA LAND
In Damien Chazelle’s vivid portraits of aspiring actresses looking for their big break, mixing and mingling with industry players at social gatherings is a proven pathway to success.
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PLAN 75
Curzon has announced the acquisition of Plan 75 following its rapturous reception in Un Certain Regard at the Cannes Film Festival.
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BABYLON REVIEW: THE TWENTIES NEVER ROARED SO LOUDLY
Damien Chazelle’s boisterous tribute to the silent era is a wildly entertaining romp through Hollywood history, writes Yasmin Omar.
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MORE THAN EVER DIRECTOR EMILY ATEF ON FACING THE UNKNOWN
From Three Days in Quiberon (2018) dealing with troubled stardom to The Stranger in Me (2008) exploring postpartum depression, Emily Atef's cinema is interested in women confronting existential questions. Her latest film More Than Ever is no exception.
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QUIET REFLECTIONS: COLM BAIRÉAD ON THE QUIET GIRL
Writer-director Colm Bairéad reflects on his history, his language and the part they played in shaping his exquisite debut film.
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IS LYDIA TÁR AS RADICAL AS SHE THINKS SHE IS?
For all the conductor’s talk of empowering women and breathing new life into classical music, she is remarkably traditional in her artistic approach. Here, Lillian Crawford digs into the character’s tragic self-delusion.
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CURZON CINEMA
Discover a world of film at Curzon. You can watch all the latest films, from blockbusters, independent titles and award-winning favourites, from the comfort of our state of the art screens. Curzon brings the best cinema and live events to audiences in London and venues around the UK.