BENEDICTION
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THE QUIET GIRL
THE INNOCENTS
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DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS
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TRIANGLE OF SADNESS
Curzon has announced the acquisition of Ruben Östlund’s Cannes main competition entry Triangle of Sadness. The Swedish director’s sixth feature and the first since his Palme d’Or winner The Square (2017), it stars Harris Dickinson, Charlbi Dean, Woody Harrelson, Oliver Ford Davis and Zlatko Buric.
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CINEMATIC MEMOIR: HOW TERENCE DAVIES INCORPORATES HIS OWN QUEER HISTORY INTO BENEDICTION
The director Terence Davies, entering the later stage of his career, has consciously moved away from his previous autobiographical work. With his contemplative Siegfried Sassoon biopic Benediction, the director covertly grapples with his own lived experience through the war poet’s story, says Lillian Crawford.
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WRITER-DIRECTOR ESKIL VOGT ON HIS SUPERNATURAL THRILLER THE INNOCENTS
Emily Maskell speaks to the Oscar-nominated filmmaker about capturing the magic of the imagination in The Innocents, which centres on a group of preternaturally gifted, yet morally dubious, children.
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MOTHERLAND, FATHER TONGUE
Colm Bairéad reflects on his childhood in Ireland, on growing up with the language and how these two things converged in him as a filmmaker, resulting in a remarkable and moving Irish-language debut in The Quiet Girl.
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VORTEX REVIEW: GASPAR NOÉ’S SURPRISINGLY RESTRAINED DEMENTIA DRAMA
The enfant terrible of the New French Extremity departs from his signature style to offer an unexpectedly tender exploration of an elderly woman’s memory loss.
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IMAGES SPEAK VOLUMES: HOW INTERIORITY IS RENDERED IN THE QUIET GIRL
Jake Abatan considers how Kate McCullough’s cinematography allows the audience to perceive the world through the eyes of a shy young girl called Cáit in Colm Bairéad’s incredible debut film The Quiet Girl.
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MUSIC AS A FORM OF EMPOWERMENT
Music empowerment activist Jane Oriel explores the parallels behind the youth centre at the heart of Nabil Ayouch's Casablanca Beats and the work being done in UK communities to align a dynamic hip-hop culture with social programmes.
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BLISTERS, BURNOUT & BRUTAL TRAINING: WHAT THE NOVICE GETS RIGHT ABOUT COLLEGE ROWING
Former university rower Yasmin Omar analyses how Lauren Hadaway’s compelling sports thriller deeply understands the pressures and pains of student athleticism.
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CANNES FILM FESTIVAL ANNOUNCES 2022 JURY LINEUP
Both Sides of the Blade star Vincent Lindon presides over an all-star international jury for the main competition.
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HOW CASABLANCA BEATS USES HIP-HOP AND ITS HISTORY TO INSPIRE
Kaleem Aftab explores why hip-hop is such an effective tool for self-expression in Nabil Ayouch’s Casablanca Beats, and how this genre of cinema can be so affecting.
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