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  • Film still for Primetime

    Primetime

    15
    Inspired by true events in 2006, To Catch a Predator host Chris Hansen (Robert Pattinson) sets out to make television history. When a high stakes operation goes fatally wrong, his veneered dream of fame curdles into a nightmare of performative justice in this candy-colored thriller from Lance Oppenheim.
    Runtime
    1h 50m
  • Film still for Wicker

    Wicker

    15
    On the outskirts of a village by the sea, lives a Fisherwoman; smelly, single and perpetually ridiculed. One day, fed up with her stuffy, small-minded neighbors, she commissions herself a husband to be made from wicker. In an otherwise conservative town, this unconventional romance sparks outrage, jealousy and chaos.
    Runtime
    1h 45m
  • Film still for Gentle Monster 

    Gentle Monster 

    15
    After relocating with her family to the countryside, a renowned pianist uncovers a life-shattering truth that forces her to confront the complexities of love, trust, and deception.
    Runtime
    1h 55m
  • Film still for Ken Russell's The Devils

    Ken Russell's The Devils

    18
    An enduring, singular masterpiece of cinema starring Academy Award®-winner Vanessa Redgrave and Oliver Reed, KEN RUSSELL’S THE DEVILS is a prescient epic of obsession and corruption – and a defining work of art from seminal filmmaker Ken Russell. Assembled from the original camera negative, this new 4K restoration presents Ken Russell’s definitive vision of THE DEVILS by referencing the edit he privately constructed in 2004. KEN RUSSELL’S THE DEVILS is the uncut and unfiltered theatrical experience that Russell always envisioned – and the first time the film will be presented restored and in 4K.
    Runtime
    1h 54m
  • Film still for The Social Reckoning

    The Social Reckoning

    15
    A companion piece to the hit film The Social Network, Sorkin’s original screenplay is based on the events that gave rise to the Wall Street Journal’s shocking exposé The Facebook Files. The film is inspired by the true story of how Frances Haugen (Madison), a young Facebook engineer, enlists the help of Jeff Horwitz (White), a Wall Street Journal reporter, to go on a dangerous journey that ends up blowing the whistle on the social network’s most guarded secrets.
    Runtime
    1h 52m
  • Film still for Wildwood

    Wildwood

    12A
    After her baby brother is abducted by a murder of crows, headstrong teenager Prue McKeel (Peyton Elizabeth Lee) launches a desperate rescue mission into the Impassable Wilderness— an enchanted forest hidden just beyond Portland, Oregon. Joined by her hapless but loyal classmate Curtis Mehlberg (Jacob Tremblay), Prue navigates a world of talking animals, bandits, and powerful figures driven by grief and ambition. As the pair is drawn into a conflict threatening the balance of the forest itself, Prue must discover the strength and belief she never knew she possessed. If she hopes to save her brother and protect Wildwood’s fragile future, she will have to risk everything. From Oscar®-nominated and BAFTA®-winning LAIKA, Wildwood is a sweeping adventure about love, sacrifice, and the magic that reveals itself when we dare to look beyond the familiar.
    Runtime
    2h 12m
  • Film still for Fatherland

    Fatherland

    12A
    FATHERLAND centres on the relationship between the Nobel Prize-winning writer Thomas Mann (Hanns Zischler) and his daughter Erika (Sandra Hüller) - actress, writer and rally driver. In the summer of 1949, at the height of the Cold War, father and daughter embark on a challenging and emotional road trip in a black Buick taking them across a Germany in ruins - from US dominated Frankfurt to Soviet controlled Weimar. Returning home after sixteen years of exile in the US, Thomas Mann has to face not only a divided fatherland, but also a deep fracture within his own family. With FATHERLAND, Pawlikowski picks up where he left off with his award-winning Ida and Cold War, exploring – in his elliptic, distilled style - the themes of identity, family, love and guilt amid the turmoil and confusion of post-war Europe.
    Runtime
    1h 22m
  • Film still for Possible Love

    Possible Love

    15
    Possible Love follows the intertwined relationship of two married couples facing different paths and hidden desires. Mi-ok (Jeon Do-yeon) lives quietly with her laid-off husband Ho-seok (Sul Kyung-gu) and their young son Cheol until a funeral brings them into the orbit of Ye-ji (Cho Yeo-jeong), a documentary filmmaker chronicling laid-off workers, and her husband Sang-woo (Zo In-sung) — a couple whose affluent lifestyle stands in sharp contrast to their own. When Mi-ok agrees to be filmed, she grows close to Ye-ji, and finds herself uneasily drawn to the unreadable Sang-woo. As their worlds collide, fractures begin to appear in their daily existence. Marking his first release in eight years, highly acclaimed director Lee Chang-dong (Burning, Poetry, Secret Sunshine) brings his signature nuance to Possible Love, capturing shifting emotions, conflicts, and contrasting outlooks that shape these relationships.
    Runtime
    2h 46m
  • Film still for De Gaulle: Part 2- Liberte

    De Gaulle: Part 2- Liberte

    15
    Charles De Gaulle's journey as a French army officer from 1940 to 1945, tracking his evolution toward a political career.
    Runtime
    2h 39m
  • Film still for De Gaulle: Résistance

    De Gaulle: Résistance

    15
    A powerful account of Charles de Gaulle's journey during World War II, from his rise as a military leader to his emergence in French politics between 1940-1945.
    Runtime
    2h 38m
  • Film still for La Bola Negra

    La Bola Negra

    TBC
    LA BOLA NEGRA tells the story of three men whose lives are intimately connected through desire, pain and inheritance, across three different eras – 1932, 1937 and 2017. Rich with Lorca's poetry and suffused with desire, grief and hope, it is an intimate love story and a sweeping exploration of memory, inheritance and queer history, honouring those whose lives and loves were too often forced into silence.
    Runtime
    2h 39m
      • PM
        Sold out
        • Special Preview
        • Screening followed by a Q&A
  • Film still for DocHouse: NAZA

    DocHouse: NAZA

    15
    Shot at night on the rooftops of Tel Aviv, NAZA reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza.
    Runtime
    1h 20m
  • Film still for DocHouse: Soul Patrol

    DocHouse: Soul Patrol

    TBC
    From deep behind enemy lines, a hidden chapter of American military history is uncovered, prompting the question of whether reckoning with the past can bring peace to those who lived it. The Vietnam War’s first Black special operations team reunites to tell their story.
    Runtime
    1h 40m
  • Film still for DocHouse: The Eyes of Ghana

    DocHouse: The Eyes of Ghana

    PG
    A true love letter to cinema, THE EYES OF GHANA follows 93-year-old cameraman Chris Hesse, as he races against time to rescue a secret trove of film reels that uniquely captured the birth of African independence. Back in the 1950s and 1960s, Hesse was the personal cameraman to Ghana’s revolutionary leader Kwame Nkrumah. Always at Nkrumah's side and always filming, Hesse was witness to Africa’s tumultuous liberation movement. In 1966, Nkrumah was deposed in a coup and his rivals sought to destroy all the filmed records of his leadership, but Hesse found a way to preserve over 1000 reels. Now in his 90s, Hesse is no less spirited and no less determined to pass on this celluloid legacy. He joins forces with filmmaker Anita Afonu to bring these barely seen reels to an audience in Accra, finally projecting a Ghanian perspective on their history. Filled with joy, verve and a dedicated focus on the importance of self-representation, THE EYES OF GHANA is a voyage through Ghanian cinema and a portrait of the country, from cinema’s inception through to the present day.
    Runtime
    1h 30m
      • PM
        Sold out
        • Programmed by Bertha Dochouse

Getting Here

Bloomsbury

The Brunswick Centre, London, WC1N 1AW
Russell Square
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Nearby parking: Limited on-street pay-and-display parking is available close to the venue. Nearby parking is run independently of Curzon Cinemas, and is used at car owners' risk. Curzon Cinemas are not liable for any outcomes of use.

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